Los Angeles in a nutshell (August 2008)
Sure, there's work to be done, but there are also movies I have seen earlier in 2008 that I would like to write about before 2008 is over. That might make my ramblings more
interesting than me trying to recall shit I saw months and months ago.
The ultimate goal is to finish this 2008 and be up to date by the end of the year.
So it begins...
Pedicab Driver (1989)- At Louis
Anderman's with some fancy 1920s cocktail that I could have had seven more of - but it was a more restrained evening, not quite suited for cocktails and
kung fu but hey... The movie was above-average
chopsocky I guess, I mean, it's not like I have a Master's degree in this stuff. Grade: B
Eaten Alive (1977) - Pretty awful swamp horror with Neville Brand and other slumming stars like Carolyn Jones, Stuart Whitman and Mel
Ferrer, amid the
corn pone jokes and goofy gore. Proof that director Tobe Hopper only had one great one in him. Grade: D
Skidoo (1968) -
Trippy (literally) acid trip comedy from Otto Preminger was a notorious flop and with good reason. Otto was cynically trying to be hip - he needed a hero more 60 relevant than Jackie Gleason to pull this off. Unusual cast makes it worthwhile for fans of the awful, but it's not good in any way. Grade: C
The Love-Ins (1967) - Ridiculous anti-acid screed has Richard Todd as a Leary-like guru who turns out to be a total creep. Mark Goddard and Susan Oliver show up for '60 sci-
fi TV fans, but only the latter gets a central role in the "Alice in Wonderland" acid trip sequence that is the only reason for watching. Grade: C
Christmas Evil (1980) - Independent horror is lumpy and dull - not tacky in the Santa Claus exploitation, but not good either. Some unintentionally funny bits aren't worth plowing through the rest. Grade: C-
Spider-Man 3 (2007) - Ugh on this dull and overstuffed third trip to the well, with a below-par Bruce Campbell cameo even. Adding
Topher Grace as Venom doesn't do much, with Thomas
Haden Church's Sandman vying for the spotlight as well. Meanwhile,
Spidey is also involved in a boring love triangle (or maybe it's a square? who cares?) - Grade: C-
Intimate Affairs (2001)
- Long-shelved comedy-drama from Altman-lite Alan Rudolph is the uneven story of a young scientist (Dermot Mulroney) running
psychosexual group experiments in 1920s Paris.
Neve Campbell and Robin Tunney are the repressed and horny (respectively) stenographers hired to record it all. Fun cast makes it watchable, but there' s not much story to hang on to here. Nick
Nolte, Terrance Howard, Alan Cumming and Tuesday Weld co-star. Grade: B-
Smiley Face (2007) - Cute but disappointing
stoner comedy has the wonderful Anna
Faris in the lead but not much else beyond the first twenty minutes or so. Anna eats some powerful pot brownies by mistake in the opening - but she never goes on a ride with the weed, staying with the movie on the same low buzz the entire time.
Disappointing and ultimately tiresome,
ramping up the silly when all else fails. Grade: C+
Dragon Wars (2007) - Cheesy fun shouldn't be this bad, or need so much goodwill to get through the entire running time. The title tells it all, except for the weird American cast of six running around an otherwise all-Asian cast. Robert Forster is in it for some reason. Grade: D
Killer of Sheep (1977) - Charles Burnett's UCLA-made film is a beautifully understated
neo-realistic piece of work, following a black slaughterhouse worker as he goes through his tough life on and off-work. Unfocused at times, but still powerful. I think its long-unseen status helped
over inflate its reputation a bit. It's a shame Burnett hasn't had more opportunities to shine since this career highlight. Grade: B+
Several months later, Tiffany and I checked out
Killer of Sheep's spiritual cousin, the unheralded Los Angeles drama
The Exiles from 1961, restored by UCLA. We saw it after a
Fante tour that proved disappointing but still kinda fun (especially the downtown bar).
I liked
The Exiles quite a bit more, it has more of a shape while at the same time feeling more like an honest documentary simply
observing people, not characters in a drama. Bunker Hill, the now-gone neighborhood of downtown Los Angeles, is documented in gorgeous black and white here, with a cast of aimless Native Americans looking for a purpose beyond the next day. Grade: A
Sneaky getting ten plus one in during a
loooong weekend. Next is the early year trip to the
Aero Theatre and one of Tiffany's old pals.
CP