Also, Richard Benjamin’s son looks JUST like him.
http://www.ciscopike.net/2010/06/quark.html
WESTWORLD rocked pretty hard BTW.
11/4/11
Lots of happenings in the past few, T in SC and me alone with no wine and some urge to write. So WITH NO FUCKING INTERNET, because, you know, AT&T SUCKS…(I’m at Best Buy tomorrow for a internet card cause fuck this shit)…SHERLOCK HOLMES’ FATAL HOUR (1931) is an obscure (for good reason) early British take on the title character. Arthur Wonter is Holmes and Ian Fleming (no relation!) as Watson, for you trivia fans.
THE A-TEAM (2010) was seen with one of our final Berendo across the hall neighbors, Kevin. The movie was watchable, but we bailed before the credits and missed the cameos by Benedict and Dwight Schlutz! Grrrr…
OK, settle down now, how about a nice Ethan Hawke vampire movie, like DAYBREAKERS? Lots of mythology, little to retell though (it looks really good though). I never thought I would be tired of Marvel Comics films with big stars and big budgets, but WOLVERINE was near incomprehensible and in the present (2011) X-MEN FIRST CLASS was a woeful disappointment, with simplistic characters and some pretty awful acting.
DARK OF THE SUN (1968) is a crackling action flick, with Rod Taylor and Jim Brown as mercenaries who get involved in African gun running and lots of action (including an epic chainsaw battle). The stars make a great team, and Taylor reteams with his TIME MACHINE co-star Yvette Miemeux.
THE TRUE STORY OF LYNN STUART is a neat little “based on a true story” crime drama; OUT OF THE FOG is prime Warner Bros. with John Garfield and Ida Lupino sparking together; SUGAR had no SOME LIKE IT HOT references nor songs, and a dearth of baseball, but it’s an effective look at the immigrant experience through a baseball lens.
WINTER’S BONE kicked ass, and we even met John Hawkes at the Arclight screening – I’m not sure Jennifer Lawrence will ever be this good again. Such a great feeling for the locale, which Hawkes said was simply from being there and using lots of locals. I think Lawrence was supposed to make the screening but it was Hawkes only.
CIRQUE DE FREAK, um, well, it had John C. Reilly in it and um, wow, they really tried a lot to hit the next Harry Potter, didn’t they? I hear the books are better. QUEEN BEE is some prime Joan Crawford, as she seemed on some level to embrace the “camp” aspects of her persona. A little later, Tiffany and I were sucked into BERSERK, (1967) where she remained a viably sexy leading lady, with dudes much younger fighting over her. That’s longevity, ladies and gentleman.
In other news from 2010, EYEWITNESS (1981) was an OK thriller with janitor William Hurt teaming with journalist Sigourney Weaver in more ways than one.
MYSTERY TEAM was pretty funny, about a “Three Investigator” style team that gets back together when they are way too old for it. Donald Glover leads the cast. We first learned about this one thanks to their unmanned booth at ComicCon the year before.
One of the best films I’ve seen in a long time, THE DUELLISTS vaults pretty far to my favorite movies full stop. It’s a beautiful debut from Ridley Scott, following Napoleonic-era soldiers Keith Carradine and Harvey Keitel (yes, he’s excellent even in period garb) as they feud throughout history.
Awesome in the Cinerama Dome opening weekend, Christopher Nolan forged an original blockbuster with INCEPTION, a trippy effects piece with good acting and some truly awesome set pieces. Word was the Nolan himself was in the crowd for the show after ours, during which the projectors malfunctioned and delayed the screening by a long while. Noirish melodrama THE STRIP has a typically committed Mickey Rooney performance as a jazz drummer trying to stay on the straight and narrow. Minor but fun, with Rooney a surprisingly effective tough guy. John Frankenheimer’s career is an exceptional one, and most of his work in the 60s is exceptional. But things started to go very wrong for him as the 1970s started, with I WALK THE LINE an example of a director not really connecting with the material. Gregory Peck is a stalwart sheriff who gets the hots for backwoods babe Tuesday Weld, whose father Ralph Meeker runs the shine. Peck is pretty good as the corrupted man of integrity, with Weld just sizzling as the bad girl using him. Johnny Cash has five songs on the soundtrack, including the title one. Fun to realize that even in 1970, Jerry Lewis is used as shorthand for dumbass yokel – as a bunch of hicks are shown losing it at some broad-ass slapstick stupidity.
Dallas time…with me ensconced upstairs in the spare bedroom and checking out Mark’s paltry DVR stock. But, I was able to record and watch BIG FAN while there, and I thought it a semi-honest piece of blue collar life. Patton Oswalt plays a guy who loves the Giants and loves calling in to a local radio show to talk about them. Robert Siegel followed up his script for THE WRESTLER with this, his directorial debut. Oswalt is really good, as is Kevin Corrigan as his equally obsessed pal. Some of the mother stuff (he lives with mom, naturally) is a little over-the-top, but overall a solid effort. Meanwhile, COP OUT is Kevin Smith proving once and for all that he can’t make a real movie. Absolutely terrible.
HOW TO STEAL A MILLION is stylish fun with Peter O’Toole and Audrey Hepburn at the height of their gorgeousness. THE HOUSE OF THE DEVIL is another disappointing horror homage from Ti West, with creepy Tom Noonan inviting a babysitter in for more than a night of sitting. Some moments but it takes forever to get to them.
SALT was written for Tom Cruise but thankfully we got Angelina Jolie instead. She kicks all kinds of ass as a sleeper agent awakened when she’s called out by defector Liev Schreiber. The action gets a little CGI-crazy at times (usually when jumping from high-speed trains), but it's smarter than your average action flick.
Cisco Pike, at the movies, with pounds to sell.
